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Victorian Ghost Stories: An Oxford AnthologyFrom Oxford University Press
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"'I think it must have been two o'clock at least when I thought I heard a sound in that--that odious dark recess at the far end of the bedroom.... Without at first a suspicion of anything supernatural, on a sudden I saw an old man, rather stout and square, in a sort of roan-red dressing-gown, and with a black cap on his head, moving stiffly and slowly in a diagonal direction, from the recess, across the floor of the bedroom, passing my bed at the foot, and entering the lumber-closet at the left. He had something under his arm; his head hung a little at one side; and, merciful God! when I saw his face....'"
There's nothing like a good ghost story. And in Victorian Ghost Stories, Michael Cox and R.A. Gilbert bring together thirty-five well wrought tales of haunted houses, vengeful spirits, spectral warnings, invisible antagonists, and motiveless malignity from beyond the grave. The Victorians excelled at the ghost story, it was as much a part of their literary culture as the realistic novel, and it was practiced by almost all the great writers of the age. Cox and Gilbert here provide samples from Charles Dickens, Robert Louis Stevenson, Rudyard Kipling, Sir Arthur Conan Doyle, Henry James, and Wilkie Collins, as well as such classic ghost-story specialists as M.R. James and J.S. Le Fanu (whose "Account of Some Strange Disturbances in Aungier Street," considered one of the best haunted-house story ever written, is excerpted above), plus one or two genuine rarities for the supernatural fiction enthusiast to savor. The editors also reveal the key role played by women in the growth of the genre, including stories by Elizabeth Gaskell, Mrs. Craik, Mrs. Henry Wood, Amelia B. Edwards, Charlotte Riddell, and many others. Finally, they offer an informative introduction, detailed source notes, and an extensive survey of ghost-story collections from 1850 to 1910.
Traditional in its forms, but energetically inventive and infused with a relish of the supernatural, these classic ghost stories still retain their original power to unsettle and surprise. Every one is guaranteed to satisfy what Virginia Woolf called "that strange human craving for the pleasure of feeling afraid."
- Sales Rank: #2500650 in Books
- Published on: 1991-10-31
- Original language: English
- Number of items: 1
- Dimensions: 8.81" h x 1.75" w x 6.00" l,
- Binding: Paperback
- 520 pages
From Publishers Weekly
Following up The Oxford Book of English Ghost Stories , Cox and Gilbert here suggest that "ghost stories were something at which the Victorians excelled," pointing out that the stories reflect the insecurities hidden in an outwardly ordered and confident society. They note further that some of the writers who portrayed ladylike women encountering ghosts at their doors were female breadwinners churning out stories to keep the wolves from theirs. Such authors as Mary Elizabeth Braddon, Elizabeth Gaskell and Charlotte Riddell anchored ghostly events in the still waters of domestic detail, provoking an eerie contrast, while others, like J. S. Le Fanu and Henry James, used deliberately paced language to similar effect. The stories in this superior anthology, each one satisfying on its own, represent a great variety of period styles and spectres.
Copyright 1991 Reed Business Information, Inc.
From School Library Journal
YA-- Move over Stephen King--this book contains 35 spine-tingling ghost stories, some written by such well-known authors as Charles Dickens, Robert Louis Stevenson, and Rudyard Kipling. The introduction provides an informative overview of the development of the Victorian ghost story. These selections are sure to hook even the most reluctant reader.
Copyright 1992 Reed Business Information, Inc.
Review
"Imaginative....Splendid....A sumptuous array of settings and styles."--New York Times Book Review
"The stories in this superior anthology, each one satisfying on its own, represent a great variety of period styles and spectres."--Mystery and Detective Monthly
"The genuine article, not an anthology that crumbles at a touch....Here is much to chill the fireside reader."--The Daily Telegraph
"Cox and Gilbert's canny rummagings into the spooky annal of a century or so ago unearth some relishable lesser-known blood-curdlers....Victorian Ghost Stories contains a tremendous clutch of tales and, as the era nears its end, they tighten their gruesome grip."--Peter Kemp, The Sunday Times London)
"Finely produced."--The Times Literary Supplement
Most helpful customer reviews
14 of 15 people found the following review helpful.
Stories to be read by candle light
By ealovitt
For the sake of atmosphere, read "Victorian Ghost Stories" with a candle to light your way through its mysterious passages.
A very large candle.
There are thirty-five stories within its four-hundred-and-eighty-nine pages, and you must read them all before dawn.
Actually, you should savor this supernatural feast one story at a time. Its editors, who are both scholars of occult literature, collected the best of the best from the Golden Age of ghost story writing. If you are already a reader of the phantasmagoric, some of the anthology will be familiar, e.g. "An Account of Some Strange Disturbances in Aungier Street," "The Romance of Certain Old Clothes," or "John Charrington's Wedding."
There are also lesser-known tales of vengeful ghosts, haunted houses, and "things in a dead man's eye," the latter courtesy of Rudyard Kipling's "At the End of the Passage."
According to the editors' introduction, one of their aims for this anthology was to "map out the development of the Victorian ghost story from circa 1850...it is in the 1850s that the distinct, anti-Gothic character of the Victorian ghost story begins to emerge." Which is not to say that the Gothic emphasis on moldering sepulchres is altogether missing. Try "The Tomb of Sarah" by F. G. Loring, whose story begins with the memorial inscription:
"SARAH. 1630. FOR THE SAKE OF THE DEAD AND THE WELFARE OF THE LIVING, LET THIS SEPULCHRE REMAIN UNTOUCHED AND ITS OCCUPANT UNDISTURBED TILL THE COMING OF CHRIST."
Of course, the story's protagonist believes he has an excellent reason for disturbing the dead. Or in Sarah's case, the Undead.
Make certain your candle is not burning low before you start "The Tomb of Sarah," or any of the other tales in this haunting collection.
7 of 7 people found the following review helpful.
EXCELLENT ATMOSPHERE AND SUSPENSE
By Lance C. Panzer
These stories offer layer upon layer of Victorian manners, Victorian attitudes, and sumptuous settings. Nineteenth century England through the eyes of its contemporaries is fascinating--and uncomfortably familiar. The befuddled rich and the harried servants. Being afraid to tell someone what you saw. Being afraid of rocking the boat. These stories are really about the consequences of one's deeds--how even the grave cannot set one free of one's angst. Two sisters in love with the same man. The domineering father who disapproves of his daughter's choice in a husband. The amoral medical student who will do anything to stay in the spotlight. The terrible vow uttered in a moment of passion, which echoes throughout one's entire life. The secret obsession we all have about what really happens after we close our eyes for the last time. If you're fascinated by the endless labyrinth of the human heart, and relish the sensation of the hair on your neck standing up, then this book's for you.
20 of 20 people found the following review helpful.
Excellent choices
By Zac Kerns
Victorian Ghost Stories: An Oxford Anthology has some of the best constructed and most chilling stories I have ever laid my eyes on. The characters, the settings, the plots and the dialogue from each of the stories all seem well thought out and written. I never lost my interest and always wanted to "read just one more page", from the simple to the complex, each story was wonderful in it's own way. I am sure, that if you are interested in ghosts, or just enjoy a good story now and then, this is for you. This is not a bunch of kiddy stories either, the pages are full of real talent and are portrayed with disturbing grace. I cannot say enough for this book and I am saddened that I am the only one who has written a review on such an extraordinary anthology. Please look into this one, it's worth anyone's money...this is the stuff that needs to be taught in schools.
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