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Who's Who in Opera: A Guide to Opera Characters, by Joyce Bourne
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Here is a marvelous guide to over 2,500 operatic characters, with synopses of over 250 major works. Each entry provides a full description of the role, indicates its vocal category, and discusses who first created the part and other notable performers.
Best of all, the volume boasts twenty-five feature articles--illustrated with photographs--by many well-known personalities who themselves constitute a who's who of opera. Readers will find Placido Domingo writing on the character of Otello, perhaps his greatest role. Bryn Terfel writes on Leporello, Janet Baker on Mary Stuart, Thomas Hampson on Posa, and Theodore Uppman on Billy Budd. Other contributors include Andrew Porter, Sena Junnac, Philip Langridge, Jonathan Miller, Sir Charles MacKerras, and Marie McLaughlin. These special articles reveal much about the creative process behind some of the most famous performances in opera history.
From Arabella to Wozzeck, here is a wealth of information on the main characters in the repertoire of both opera and operetta. Both informative and absorbing, it is a must for all opera lovers.
- Sales Rank: #4672905 in Books
- Published on: 1998-10-01
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x 1.40" w x 6.20" l,
- Binding: Hardcover
- 480 pages
From Library Journal
A unique and very useful reference tool by an associate editor of The Oxford Dictionary of Music, this book combines short synopses of approximately 250 opera plots and thumbnail sketches of over 2500 opera characters (e.g., Beckmesser, Sixtus in Die Meistersinger), arranged alphabetically. Character entries describe each character and their function in the opera, facts about the singers who have performed the role, and gossipy bits about the part and the opera. The book is punctuated with photos of famous singers, and 25 two- to three-page essays by people involved in the business, such as Andrew Porter and Placido Domingo, on various subjects. The entries are informative, accurate, very well written, and fun to read. A complete list of all operas and characters is provided in an appendix. Absolutely essential for anyone interested in opera, this is recommended for both academic and public libraries.?Timothy J. McGee, Univ. of Toronto
Copyright 1998 Reed Business Information, Inc.
From Booklist
Compiled by the associate editor of the Oxford Dictionary of Music (Oxford, 1984), this biographical dictionary of characters also contains brief plot synopses.
Coverage is from Monteverdi to the present and includes more than 2,500 characters from 279 major works. Each entry is arranged alphabetically by character name and places the character in the context of the plot. The creator of the role is noted, with the year of first performance. Minor characters are treated in a sentence or two, while entries for major characters may cover several pages. In addition to their main entry, 27 characters, including Brunnhilde (from Wagner's The Ring), Leporello (from Mozart's Don Giovanni), and Violetta (from Verdi's La Traviata), are the subjects of essays by noted interpreters of the role, directors, or critics. Each of the special essays is accompanied by a murky black-and-white photograph of a performer in appropriate costume, but the poor quality of the illustrations makes them of little value.
There are two appendixes. The first provides brief biographies of 26 of the authors of the special essays, and the second is an index of composers, with a list of their operas and characters that are entered in the main work.
This clearly written and arranged volume will be a useful information source in any library with readers interested in opera.
Review
"The entries are informative, accurate, very well written, and fun to read. Absolutely essential for anyone interested in opera, this is recommended for both academic and public libraries."--Library Journal (starred review)
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