Free Ebook The Renaissance: Studies in Art and Poetry (Oxford World's Classics), by Walter Pater
Do you know why you need to read this site and also just what the connection to reading e-book The Renaissance: Studies In Art And Poetry (Oxford World's Classics), By Walter Pater In this modern-day age, there are several methods to get the publication as well as they will certainly be a lot easier to do. Among them is by getting the publication The Renaissance: Studies In Art And Poetry (Oxford World's Classics), By Walter Pater by on-line as what we inform in the web link download. The e-book The Renaissance: Studies In Art And Poetry (Oxford World's Classics), By Walter Pater could be a selection since it is so correct to your necessity now. To obtain the e-book on-line is very easy by just downloading them. With this chance, you can read the book anywhere as well as whenever you are. When taking a train, awaiting listing, and also hesitating for someone or other, you could review this on the internet e-book The Renaissance: Studies In Art And Poetry (Oxford World's Classics), By Walter Pater as a buddy once again.
The Renaissance: Studies in Art and Poetry (Oxford World's Classics), by Walter Pater
Free Ebook The Renaissance: Studies in Art and Poetry (Oxford World's Classics), by Walter Pater
The Renaissance: Studies In Art And Poetry (Oxford World's Classics), By Walter Pater. Someday, you will find a new adventure as well as expertise by spending more cash. Yet when? Do you think that you require to get those all needs when having much money? Why do not you try to obtain something straightforward in the beginning? That's something that will lead you to understand even more regarding the globe, experience, some areas, history, entertainment, and more? It is your very own time to proceed checking out habit. Among guides you could enjoy now is The Renaissance: Studies In Art And Poetry (Oxford World's Classics), By Walter Pater right here.
When getting this book The Renaissance: Studies In Art And Poetry (Oxford World's Classics), By Walter Pater as reference to read, you can get not just motivation however also brand-new expertise as well as driving lessons. It has greater than typical perks to take. What kind of publication that you read it will be helpful for you? So, why ought to get this book qualified The Renaissance: Studies In Art And Poetry (Oxford World's Classics), By Walter Pater in this post? As in link download, you can obtain the book The Renaissance: Studies In Art And Poetry (Oxford World's Classics), By Walter Pater by on the internet.
When obtaining guide The Renaissance: Studies In Art And Poetry (Oxford World's Classics), By Walter Pater by on-line, you can review them wherever you are. Yeah, also you are in the train, bus, waiting list, or other places, on the internet e-book The Renaissance: Studies In Art And Poetry (Oxford World's Classics), By Walter Pater can be your good friend. Each time is a good time to read. It will certainly enhance your knowledge, fun, enjoyable, session, as well as experience without investing more money. This is why on-line book The Renaissance: Studies In Art And Poetry (Oxford World's Classics), By Walter Pater ends up being most desired.
Be the first which are reviewing this The Renaissance: Studies In Art And Poetry (Oxford World's Classics), By Walter Pater Based upon some factors, reviewing this e-book will certainly offer even more perks. Also you should read it detailed, web page by page, you can finish it whenever and also wherever you have time. As soon as a lot more, this on-line publication The Renaissance: Studies In Art And Poetry (Oxford World's Classics), By Walter Pater will certainly offer you simple of reviewing time as well as activity. It additionally provides the experience that is cost effective to reach and acquire significantly for better life.
Oscar Wilde called this collection of essays the "holy writ of beauty." Published to great acclaim in 1837, it examines the work of Renaissance artists such as Winckelmann and the then neglected Botticelli, and includes a celebrated discussion of the Mona Lisa in a study of Da Vinci. The book strongly influenced art students and aesthetes of the day and is still valuable for the insights it offers and the beauty of the writing.
- Sales Rank: #1581076 in Books
- Published on: 1998-09-17
- Original language: English
- Number of items: 1
- Dimensions: 5.10" h x .40" w x 7.60" l, .32 pounds
- Binding: Paperback
- 208 pages
From the Publisher
7 1-hour cassettes
About the Author
Walter Horatio Pater (1839-1894) was an English essayist and literary critic.
Most helpful customer reviews
25 of 28 people found the following review helpful.
Pater and the Renaissance: Aesthetic Self-Help
By A Customer
This book has changed many lives in a very
peculiar way: although its evaluations are
quite wrong at times, particularly the chapter
on the School of Giorgione(if you care, check
out the edition with an introduction by
Kenneth Clark), Pater's Renaissance still
shines with the very same light that made it a
cult among Victorian youngmen.
The "gemstone flame", the pervasive feelings
of which Pater invited us to share have not
vanished (in spite of the attempts of the
so-called modern art), and the book's
invaluable lesson is that you simply
do not need a fancy objet d'art to see
what true beauty is all about.
So basically this is what I have to say: if
you have ever derived aesthetic pleasure from
anything at all in life, you should read this
little book tomorrow. If you never felt any
such pleasure, you must read The Renaissance
right now, or you'll simply let the good
things pass you by. I mean it.
7 of 8 people found the following review helpful.
Pater is sui generis
By gioconda
I repurchased this book because I enjoy Pater's writing style. It will be apparent to those who read and understand this book that "art for art's sake" (never said by Pater) did not sanction the labelling of the kitchen sink as art. His standards are quite exacting.
This edition is limited to the lectures themselves and a short preface and conclusion. The typeface is clear and well spaced. There are no annotations to assist with the occasional foreign phrase.
17 of 25 people found the following review helpful.
Impressionism in criticism...travel at your own risk...
By A Customer
This work by Walter Pater, published in 1873, as
a volume of collected (previously published) essays
along with an essay on "Winckelmann", a Preface, and
a Conclusion was [and perhaps still is] an extremely
influential work of aesthetic criticism. The volume
helped shape [influence] the perceptions, the
attitudes, and the approaches of many youthful readers
in the late 1880's and 1890's. It is very interesting
to read, immensely engaging to consider and muse about,
but also offers cautions to the overenthusiastic,
easily influenced [or persuaded] disciple.
This volume consists of an Introduction [by the
editor, Adam Philips], a Preface [by Pater], 9 chapters,
and a Conclusion (in this particular edition
by Oxford Classics there is also a chronology, a
Selective Bibliography, an Appendix titled "Diaphaneite,"
and Explanatory Notes in the back. The chapter titles
(after Pater's Preface) are: Two Early French Stories;
Pico Della Mirandola; Sandro Botticelli; Luca Della
Robbia; The Poetry of Michelangelo; Leonardo da Vinci;
The School of Giorgione, Joachim Du Bellay; Winckelmann;
and Conclusion.
* * * * * * * * * *
What's the problem here? Well, unfortunately, Pater
is not completely reliable as an objective perceiver
or critic. He tends to be a bit eccentric in his
individualistic perceptions and interpretations of
the art works, but he goes ahead and defends this
approach in a very "modern" sounding fashion --
which seems to include a bit of "situational perceptions,"
subjective impressions of perception and response,
and subjective criticism. Which makes for extremely
engaging [sometimes irritating] reading, but leaves
something to be desired as far as objective and
judicious thoughtfulness and truthfulness. Pater
seems to believe that it is acceptable to "bend"
or even create facts to further his own it-pleases-
me-to-think-that-this-is-or-should-be-so desires.
We know that we are on a slippery critical slope
[though it will sound all too familiar to modern
ears and modern apologetics] when the editor Phillips
informs us: "In Pater's first published writing, his
essay on Coleridge of 1866, he had suggested that --
'Modern thought is distinguished from ancient by its
cultivation of the "relative" spirit in place of the
"absolute" ... To the modern spirit nothing is, or
can be rightly known, except relatively and under
conditions." It doesn't take much time to realize
that such a critical position is going to lead to
an end-position of aesthetic, critical, and moral
relativism ("You can't tell me I'm wrong, because
there is no one set way of seeing, analyzing,
believing, or evaluating."-- the spoiled, indulged child's
self-justification for the validity of its own
ego supremacy and authority against that of any
parental or adult restrictions. Such a position usually
means a lack of any meaningful in-depth self questioning
or objective evaluating of personal motives, and a
welcoming of lack of restraints in the pursuit of
pleasure and non-self discipline. And this, of course,
is the critical negative refrain that often comes
against the decadent followers of Pater's credo.]
The second fall-out effect of Pater's evaluations
and pronouncements is that some of his disciples
[self-styled] went farther than even he was willing
to approve with their hedonism and purposefully
shocking lifestyles and "decadent" behaviors and
aesthetic appetites.
But it came from statements like this, which Pater
may have meant one way, but which their subjective,
individualistic perceptions took another way: "The
aesthetic critic, then, regards all the objects with
which he has to do, all works of art, and the fairer
forms of nature and human life, as powers or forces
producing PLEASURABLE SENSATIONS [caps are mine], each
of a more or less peculiar or unique kind. [We value
them --he says] for the property each has of affecting
one with a special, a unique, impression of pleasure.
Our education becomes complete in proportion as our
SUSCEPTIBILITY to these impressions increases -- in
depth and VARIETY."
Let the perceiver and the critic -- and the
experiencer -- proceed with extreme caution and good
judgment.
* * * * * * * * *
The Renaissance: Studies in Art and Poetry (Oxford World's Classics), by Walter Pater PDF
The Renaissance: Studies in Art and Poetry (Oxford World's Classics), by Walter Pater EPub
The Renaissance: Studies in Art and Poetry (Oxford World's Classics), by Walter Pater Doc
The Renaissance: Studies in Art and Poetry (Oxford World's Classics), by Walter Pater iBooks
The Renaissance: Studies in Art and Poetry (Oxford World's Classics), by Walter Pater rtf
The Renaissance: Studies in Art and Poetry (Oxford World's Classics), by Walter Pater Mobipocket
The Renaissance: Studies in Art and Poetry (Oxford World's Classics), by Walter Pater Kindle
Tidak ada komentar:
Posting Komentar