Kamis, 12 Juni 2014

^ Get Free Ebook Reading Dante's Commedia as Theology: Divinity Realized in Human Encounter, by Vittorio Montemaggi

Get Free Ebook Reading Dante's Commedia as Theology: Divinity Realized in Human Encounter, by Vittorio Montemaggi

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Reading Dante's Commedia as Theology: Divinity Realized in Human Encounter, by Vittorio Montemaggi

Reading Dante's Commedia as Theology: Divinity Realized in Human Encounter, by Vittorio Montemaggi



Reading Dante's Commedia as Theology: Divinity Realized in Human Encounter, by Vittorio Montemaggi

Get Free Ebook Reading Dante's Commedia as Theology: Divinity Realized in Human Encounter, by Vittorio Montemaggi

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Reading Dante's Commedia as Theology: Divinity Realized in Human Encounter, by Vittorio Montemaggi

Dante's Commedia compels readers to confront the mystery of their existence, to seek understanding of their relationship to the living conscious reality from which all possible experience arises. By pursuing these lines of inquiry, says Vittorio Montemaggi, readers can reach an ultimate reality that Dante calls love.

Montemaggi offers a detailed theological reading of the Commedia, examining the theme of human interaction, both as it is represented in the poem-the narrator Dante's interaction with other characters-and by the relationship between author and reader. In doing so, he locates a Dante we may not be used to imagining, a man aware both of the spiritual power of his work, and of his profound, essential vulnerability and moral failing. Montemaggi shows that, for this Dante, truth emerges only through human limitation and failure, and not in spite of it.

Applying this interpretive framework to a reflection on the methodology of scholarship itself, Montemaggi offers a vision of what the academy could be-not individual scholars in competition with others, but a community that seeks to foster the understanding that can arise through interaction, vulnerability, and love. His vision constitutes a benign challenge to some of the ethos and practices of the modern academy, while simultaneously reflecting on the dynamics of one of the most inspiring and influential texts ever written about the relationship between humanity and divinity.

  • Sales Rank: #1594899 in Books
  • Published on: 2016-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.30" h x 1.30" w x 9.40" l, .0 pounds
  • Binding: Hardcover
  • 328 pages

Review

"This book provides the most daring reading of Dante as a theologian so far. Montemaggi shows how poetic idiom is integral to a certain novel act of theological representation. The poem's mode of fictional tour of ultimate reality performs the integrity despite the contingency of that reality, and especially of the created and yet self-shaped persons within it. Against more world-refusing readings of Dante's metaphysics, this book shows how this very contingency is paradoxically the best clue as to the non-contingency of the heavenly realm, and the divine in its nature as unlimited love."-Catherine Pickstock, Professor of Metaphysics and Poetics, University of Cambridge


"Reading Dante's Commedia as Theology is a remarkable achievement, one which is distinctive for both its interdisciplinary charge and its powerful close reading of Dante's Commedia. Bringing into close dialogue the fields of Dante studies, religion and literature, and theology, Montemaggi eloquently demonstrates how Dante's great poem might and can be read as theology. In so doing, he provides richly focused analyses of questions related to love, justice, truth, prayer, and salvation, and explores how the 'dynamics of human interaction' permeate the poem and define the nature of divinity as it is realized in human encounter."-Simon Gilson, Professor of Italian, University of Warwick


About the Author

Vittorio Montemaggi is Assistant Professor of Religion and Literature in the Department of Romance Languages and Literatures at the University of Notre Dame, where he is also Concurrent Assistant Professor in the Department of Theology. Following degrees in Theology and in European Literature, his work has centered on the relationship between language, truth, and love.

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