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Distinguished historians examine the genesis, development, and impact of slavery in America and explore related areas of study.

• Sales Rank: #2607793 in Books
• Published on: 1979-02-22
• Original language: English
• Number of items: 1
• Dimensions: 5.31" h x .68" w x 8.00" l, .81 pounds
• Binding: Paperback
• 336 pages

Review

"Easily the best anthology on the historical literature of slavery."--Clayborne Carson, Stanford University

"Excellent historical and sociological analyses of Black American slavery."--Richard T. Doi, Central Washington University

About the Author
Allen Weinstein is the president of The Center for Democracy, a winner of the United Nations Peace Medal, and the author of several books, including the American Book Award nominee Perjury: The Hiss-Chambers Case. He has held professorships at Smith College, Georgetown, and Boston University. David Rubel is the president of Agincourt Press and the author of many books on American history, including The Scholastic Encyclopedia of the Presidents and Their Times.

David Sarasohn is associate editor of the Oregonian in Portland, Oregon, and a nationally syndicated columnist for the Newhouse News service. His columns have twice won ?Best in the West? honors. He received a Ph.D. in American history from UCLA and in 2002 was awarded the Eugene C. Pulliam Editorial Fellowship to study the Lewis and Clark Bicentennial.

David Sarasohn is associate editor of the Oregonian in Portland, Oregon, and a nationally syndicated columnist for the Newhouse News service. His columns have twice won ?Best in the West? honors. He received a Ph.D. in American history from UCLA and in 2002 was awarded the Eugene C. Pulliam Editorial Fellowship to study the Lewis and Clark Bicentennial.

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Choice of Law provides an in-depth sophisticated coverage of the choice-of-law part Conflicts Law (or Private International Law) in torts, products liability, contracts, forum-selection and arbitration clauses, insurance, statutes of limitation, domestic relations, property, marital property, and successions. It also covers the constitutional framework and conflicts between federal law and foreign law.

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• Sales Rank: #242104 in Books
• Published on: 2016-05-13
• Original language: English
• Number of items: 1
• Dimensions: 7.30" h x 2.00" w x 10.10" l, .0 pounds
• Binding: Hardcover
• 840 pages

About the Author

Symeon C. Symeonides is the Alex L. Parks Distinguished Professor of Law and Dean Emeritus at Willamette University School of Law, in Oregon. He is an award winning author and renowned expert in conflicts law, having published 26 books and more than 120 articles (in seven languages), including the widely popular annual survey of American choice-of-law cases for the last thirty years. Reviewers have called him "a conflicts giant," "the world's leading expert on comparative conflicts law," and "the father of codification," and his work "brilliant," "engrossing," "masterful," and "indispensable." His work received five scholarly prizes and has been cited by the supreme courts of the United States, the United Kingdom, and Israel (22 times). He drafted three path-breaking choice-of-law codifications (for Louisiana, Puerto Rico, and Oregon), participated in drafting several European Union laws and two international conventions, and provided legislative advice to several foreign governments. He is president of the International Association of Legal Science, former President of the American Society of Comparative Law, and member of the Institut de Droit International and the International Academy of Comparative Law. He has taught and lectured at several American and European universities and The Hague Academy of International Law. He holds degrees in private and public law from the Aristotle University of Thessaloniki, an LL.M and an S.J.D from the Harvard Law School, and two honorary doctorates.

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An innovative examination of the forces--both destructive and dynamic--which have shaped South Africa, this book provides a stimulating introduction to the history of the nation in the twentieth century. It draws on the rich and lively tradition of radical history writing and weaves economic and cultural history into the political narrative.

• Sales Rank: #783392 in Books
• Published on: 2001-11-15
• Released on: 2001-11-15
• Original language: English
• Number of items: 1
• Dimensions: 5.10" h x 1.13" w x 7.70" l, .74 pounds
• Binding: Paperback
• 432 pages

Review

"...[a] meticulous, lively introduction....immensely readable, informative and timely."--New Internationalist

About the Author
William Beinart is Professor of History, and Fellow of St Anthony's College, Oxford. He has taught at Bristol and studied at the University of Cape Town and the School of Oriental and African Studies, London, and has held research fellowships at Rhodes and Yale Universities. He was joint editor of the Journal of Southern African Studies from 1982 to 1987 and has been chair of its editorial board since 1992.

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• Sales Rank: #3648282 in Books
• Brand: Oxford University Press
• Published on: 1992-11-26
• Original language: English
• Number of items: 1
• Dimensions: 6.69" h x .34" w x 9.25" l,
• Binding: Spiral-bound
• 88 pages

About the Author
Carol Doran is at Colgate Rochester Divinity School. Thomas H. Troeger is at Iliff School of Theology.

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• Sales Rank: #5156897 in Books
• Published on: 2001-10-04
• Original language: English
• Number of items: 2
• Dimensions: 10.08" h x .35" w x 7.48" l,
• Binding: Paperback
• 160 pages

About the Author
Dennis Pepper lives in Finchley, North London

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Renaissance Thinkers contains studies of four of the most important philosophical writers of the European Renaissance. This book is intended for general readers, especially those interested in the Renaissance and the origins of philosophy in the west, students (at undergraduate and postgraduate level) of Renaissance philosophy, European History, Renaissance Literature, Comparative Literature.

• Sales Rank: #2658500 in Books
• Published on: 1993-07-01
• Original language: English
• Number of items: 1
• Dimensions: 5.75" h x 1.12" w x 5.13" l,
• Binding: Paperback
• 414 pages

About the Author

About the Authors:
James McConica is a Fellow at All Souls College, Oxford. Anthony Quinton was President of Trinity College, Oxford from 1978 to 1987. Sir Anthony Kenny is President of the British Academy. Peter Burke is reader in Cultural History at the University of Cambridge and Fellow of Emmanuel College.

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• Published on: 1985-06-01
• Original language: English
• Dimensions: 9.00" h x .28" w x 11.80" l,
• Binding: Paperback
• 80 pages

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• Sales Rank: #14805409 in Books
• Published on: 1999-05-01
• Original language: English
• Number of items: 1
• Dimensions: 7.76" h x .0" w x 5.08" l,
• Binding: Hardcover
• 1328 pages

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• Sales Rank: #14727013 in Books
• Published on: 1985-06-01
• Original language: English
• Dimensions: 9.00" h x .12" w x 12.00" l,
• Binding: Paperback
• 24 pages

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In this splendid retelling of the Arthurian legend in the Oxford Illustrated Classics series, James Riordan captures all the magic and mystery of the splendid kingdom of Camelot. The magician Merlin, the sword Excalibur, the Lady of the Lake, the beautiful Guinevere, the knights of the Round Table, Lancelot, the Green Knight, and all the other characters from Camelot spring to life in Victor Ambrus's colorful recreations of the lost world of King Arthur. Beginning when the evil Vortigern poisons his father, the story of King Arthur follows young Arthur's escape in the arms of the magician Merlin, his education as a knight, his coronation after he pulls the sword from the stone, and his reign over Camelot amongst the Knights of the Round Table.

• Sales Rank: #4108649 in Books
• Published on: 1999-11-18
• Original language: English
• Number of items: 1
• Dimensions: 10.90" h x .20" w x 8.00" l, .88 pounds
• Binding: Paperback
• 96 pages

From School Library Journal
Grade 3-6-Riordan opens his Arthurian cycle with a confusing but exciting dream sequence and ends it with Arthur's second coming in some nebulous time "to restore glory to this once-great land." The tales in between tell of the dragons under Vortigern's castle, the sword in the stone, Excalibur, the Green Knight, Guinevere and Lancelot, Morgana and Mordred, war, death, and Avalon. The stories read well but don't always work together as the author forces the focus on Arthur. He makes Arthur the young seer at Vortigern's castle, and with such foresight, how could he marry Guinevere or leave the kingdom in Mordred's hands? Furthermore, in this adventure, Arthur announces he will be king, which takes some of the punch out of the sword in the stone episode. A reference to "football" is jarring and about five centuries too early. Riordan ignores the fact that Mordred is Arthur's misbegotten son. He gives Gawain's adventure with the Green Knight to Arthur, leaving in the knight's wife's attempted seduction of the king. Notes defending his choices cite Nennius's Historia Brittonum as his source for the dragon story, but Nennius called the boy-seer Ambrosius. Arthur appears later in that history. Even so, Riordan can write and Ambrus's dynamic ink-and-wash paintings and black-and-white illustrations bring the action to life. This is an Arthur to browse, enjoy, and take with a grain of salt.
Helen Gregory, Grosse Pointe Public Library, MI
Copyright 1999 Reed Business Information, Inc.

From Booklist
Gr. 5^-7. Riordan draws from a number of traditional sources to create his own version of Arthurian legend. Since he concentrates on developing the beginning and end of Arthur's story, the book leaves out most of the adventures linked to Arthur and his knights, a part of the legend that has drawn many children to the period. The most fully developed here is a version of "Sir Gawain and the Green Knight," in which Arthur replaces Gawain in the lead role. Victor G. Ambrus' ink drawings with washes appear on every spread. Black-and-white pictures alternate with those brightened by brilliant watercolors, which complement the energy of Ambrus' drawing style. Larger libraries will want to include this large-format book as an interesting interpretation of the British lore. Carolyn Phelan

Review

"Black-and-white pictures alternate with those brightened by brilliant watercolors... An interesting interpretation of the English lore."--Booklist

"Riordan's clear and powerful language and Ambrus' illustrations will raise goose pimples in this excellent retelling."--Yellow Brick Road

"The language is formal and distant, as befits a legend, and lovely illustrations complement the text."--VOYA

"A fascinating and magical rendition, fully supported by the dynamic and atmospheric pictures of Victor G. Ambrus."--The Commercial Appeal

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• Sales Rank: #3204167 in Books
• Published on: 1979-01-04
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: .0" h x .0" w x .0" l,
• Binding: Paperback
• 368 pages

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• Sales Rank: #5529777 in Books
• Published on: 2004-12
• Original language: English
• Dimensions: 6.85" h x .0" w x 4.37" l,
• Binding: Leather Bound
• 576 pages

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Dante's Commedia compels readers to confront the mystery of their existence, to seek understanding of their relationship to the living conscious reality from which all possible experience arises. By pursuing these lines of inquiry, says Vittorio Montemaggi, readers can reach an ultimate reality that Dante calls love.

Montemaggi offers a detailed theological reading of the Commedia, examining the theme of human interaction, both as it is represented in the poem-the narrator Dante's interaction with other characters-and by the relationship between author and reader. In doing so, he locates a Dante we may not be used to imagining, a man aware both of the spiritual power of his work, and of his profound, essential vulnerability and moral failing. Montemaggi shows that, for this Dante, truth emerges only through human limitation and failure, and not in spite of it.

Applying this interpretive framework to a reflection on the methodology of scholarship itself, Montemaggi offers a vision of what the academy could be-not individual scholars in competition with others, but a community that seeks to foster the understanding that can arise through interaction, vulnerability, and love. His vision constitutes a benign challenge to some of the ethos and practices of the modern academy, while simultaneously reflecting on the dynamics of one of the most inspiring and influential texts ever written about the relationship between humanity and divinity.

• Sales Rank: #1594899 in Books
• Published on: 2016-07-01
• Original language: English
• Number of items: 1
• Dimensions: 6.30" h x 1.30" w x 9.40" l, .0 pounds
• Binding: Hardcover
• 328 pages

Review

"This book provides the most daring reading of Dante as a theologian so far. Montemaggi shows how poetic idiom is integral to a certain novel act of theological representation. The poem's mode of fictional tour of ultimate reality performs the integrity despite the contingency of that reality, and especially of the created and yet self-shaped persons within it. Against more world-refusing readings of Dante's metaphysics, this book shows how this very contingency is paradoxically the best clue as to the non-contingency of the heavenly realm, and the divine in its nature as unlimited love."-Catherine Pickstock, Professor of Metaphysics and Poetics, University of Cambridge

"Reading Dante's Commedia as Theology is a remarkable achievement, one which is distinctive for both its interdisciplinary charge and its powerful close reading of Dante's Commedia. Bringing into close dialogue the fields of Dante studies, religion and literature, and theology, Montemaggi eloquently demonstrates how Dante's great poem might and can be read as theology. In so doing, he provides richly focused analyses of questions related to love, justice, truth, prayer, and salvation, and explores how the 'dynamics of human interaction' permeate the poem and define the nature of divinity as it is realized in human encounter."-Simon Gilson, Professor of Italian, University of Warwick

About the Author

Vittorio Montemaggi is Assistant Professor of Religion and Literature in the Department of Romance Languages and Literatures at the University of Notre Dame, where he is also Concurrent Assistant Professor in the Department of Theology. Following degrees in Theology and in European Literature, his work has centered on the relationship between language, truth, and love.

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