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Odysseus turned his eyes from the still-smoking ruins of Troy and thought of home. But the journey would be long to the three-island kingdom of Ithaca, and there would be many dangers to overcome--the Lotus-eaters and the cloying nectar of their deadly fruit; the hungry one-eyed giant Polyphemus; the stormy wrath of the vengeful sea-god Poseidon; Circe, the beautiful sorceress who turned men into pigs; the terrors of the whirlpool Charybdis and the six-headed sea monster, Scylla; and the descent to the kingdom of Hades, god of the dead--until bright morning he arrived back, alone and exhausted, to face the hundred fierce suitors of his faithful wife, Penelope.
In this retelling, Geraldine McCaughrean's lively and original style is complemented by Victor Ambrus's brilliant recreations of the ancient world and its monsters and gods. Young people will enjoy the fast-paced and contemporary text, gain an introduction to Homer's classic story, and gain a foundation for further studies in history and literature that will serve them well into their adult lives.

• Sales Rank: #6104183 in Books
• Published on: 1997-09-18
• Original language: English
• Number of items: 1
• Dimensions: 10.80" h x .40" w x 8.00" l,
• Binding: Paperback
• 96 pages

Review

"A lively, brief retelling with colorful, action-filled pictures."--Los Angeles Times Book Review

"A real winner."--Children's Bookwatch

"McCaughrean's fine retelling of Odysseus' wanderings is a heroic tale in the truest sense of the word. It captures all the drama and bloodcurdling action of the original work while making the story accessible to young people in language that is still vigorous and expressive.... Illustrations by Victor Ambrus complement McCaughrean's style perfectly, their bold colors and lively portrayals displaying all the energy of the text."--Booklist

"Captures the flavor and adventure of Homer's famed epic."--Calliope

"This serious retelling of the Odyssey, illustrated with lush watercolors and line drawings, is a modern prose version of Homer's epic tale about Odysseus's return from Troy. A good introduction to Homer and an exciting story."--Reviews from Parent Council

About the Author

Geraldine McCaughrean has also adapted One Thousand and One Arabian Nights, Canterbury Tales, El Cid, and Moby Dick for children.
Victor G. Ambrus has illustrated over 200 books. He has won the Kate Greenaway Medal twice and lives in the UK.

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74 of 75 people found the following review helpful.
Homer restored to his rightful place as serious competition
By A Customer
...for Pokemon, dinosaurs, ghost stories, Robin Hood, and piratical history! I am no classical scholar, as is obvious from that last sentence, but I am a mom who reads alot to her children and I've a working understanding of Homer's poetic tale, The Odyssey. Ms. McCaughrean's version was gripping! We had a very hard time putting it down the first time, and on our second read through we just kept going until the end! This book enthralled a 7 and a 4, while remaining as true to the text as I've seen yet in a children's version (slight editing may be required for the very squeamish or quite young.) My children acted the tale out on their own when we were through and held impromptu literary discussions for days afterwards. Like Bible stories, Greek myths have been done a thousand times over for children. Before you set off to wade through to find the diamonds, take my word for it that this is definitely one of them. Also, her collection of classic mythical stories is recommended although, dare I say it, this is even better than that.

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This exciting new series of non-fiction readers provides interesting and educational content, with activities and project work. The readers are graded at four levels, from 3 to 6, suitable for students from age 8 and older. They can support Content and Language Integrated Learning (CLIL), and cover a broad range of topics, within three curriculum areas: The World of Science and Technology The Natural World The World of Arts and Social Studies Also available for each reader: Activity Book Audio CD Pack (Reader and Audio CD) Teacher's Notes and CLIL guidance at www.oup.com/elt/readanddiscover

• Sales Rank: #4920914 in Books
• Published on: 2010-12-30
• Original language: English
• Number of items: 1
• Dimensions: 8.27" h x .24" w x 5.91" l, .23 pounds
• Binding: Paperback
• 48 pages

About the Author
Hazel Geatches is well-respected in her field.

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• Sales Rank: #7646548 in Books
• Published on: 1981-04-23
• Original language: English
• Number of items: 1
• Binding: Paperback
• 96 pages

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The stories collected in this nail-biting anthology are a macabre celebration of the ingenuity of murder. Victims meet their ends in ways which are sometimes gruesome, sometimes tragic, but always imaginative, involving methods as diverse as sword swallowing, triggered bank vaults, and exploding sweets.
In Twelve Tales of Murder, Jack Adrian brings together stories by well-known writers in the genre, as well as rarer stories which have for decades been unavailable to readers. For anyone who has ever been gripped by a good murder mystery, and for those who never have but are tempted, Twelve Tales of Murder is a delightful guide to who did what to whom, and how.

• Sales Rank: #5432051 in Books
• Published on: 1998-07-23
• Original language: English
• Number of items: 1
• Dimensions: 7.60" h x .70" w x 5.00" l,
• Binding: Paperback
• 224 pages

About the Author

About the Editor:
Jack Adrian has edited Strange Tales from the Strand, The Oxford Book of Historical Short Stories, and Hard-Boiled: An Anthology of American Crime Stories.

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2 of 2 people found the following review helpful.
The Inventiveness of Murder
By bibliomane01
Jack Adrian's anthology of murder stories in the Oxford Twelves series is an agreeably fiendish collection supplying enough chills and thrills to last through many a dark and stormy night. As usual, the anthologists in this series comb through the 19th and early 20th centuries for their wares and the authors represented are both famous and obscure. The gruesomeness of the murder methods in "An Illustration of Modern Science" (1896) would meet with the approval of Hannibal Lecter himself, and Conan Doyle would be hard pressed to conjure up a more sinister portrait of London than the one we see in "Fogbound" (1903). As for the disquieting "Portrait of a Murderer" (1942), it leaves the reader with a completely new perspective on the meaning of fatherly love. I am a big fan of the Oxford Twelves series (I have them all) and heartily recommend this book as well.

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• Published on: 2013-03-04
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 1.00" w x 8.50" l, .0 pounds
• Binding: Loose Leaf
• 475 pages

About the Author
U.S. Dept. of Treasury, Internal Revenue Service

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• Sales Rank: #3658188 in Books
• Published on: 2005-12-29
• Original language: Spanish
• Number of items: 1
• Dimensions: 7.70" h x .40" w x 10.70" l, .46 pounds
• Binding: Paperback
• 88 pages

About the Author
Roger Barnard is Professor in the Department of General Education at Tama Art University, Tokyo, where he teaches general English and content courses related to art and design.

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Mostly religious in function, but preserving the classicism of Greco-Roman art, Byzantine buildings and art objects communicate the purity and certainties of the public face of early Christian art. Focusing on the art of Constantinople between 330 and 1453, this book probes the underlying motives and attitudes of the society which produced such rich and delicate art forms. It examines the stages this art went through as the city progressed from being the Christian center of the Eastern Roman Empire, to its crisis during attack from the new religion of Islam, to its revived medieval splendor and then, after the Latin capture of 1204 and the Byzantine reoccupation after 1261, to its arrival at a period of cultural reconciliation with East and West.

• Sales Rank: #156299 in Books
• Color: Other
• Published on: 2000-11-26
• Original language: English
• Number of items: 1
• Dimensions: 6.30" h x .60" w x 9.10" l, 1.34 pounds
• Binding: Paperback
• 256 pages

From Library Journal
Because Byzantine art portrays a society in change, defining the period and its contributions is a big undertaking. The author of several books on iconography and Byzantine art, Cormack (history of art, Univ. of London; deputy director, Courtauld Inst. of Art) only partially meets the challenge of making his subject understandable. The book's organization lends to its accessibility; Cormack breaks down the era's political and social developments, revealing their complexity, and time lines and sidebars make the topic more approachable. The trade paperback size (standard for this series) means smaller illustrations, which is a shortcoming. But the list of Internet links to museums with Byzantine art collections will be very useful for students. Despite the book's strengths, Cormack is not writing for the beginner, and some of this material will be over the heads of most readers. A respectable but not necessary addition to public and academic libraries that need the subject coverage. Karen Ellis, Nicholson Memorial Lib. Syst., Garland, TX
Copyright 2001 Reed Business Information, Inc.

Review

"Thehandbook of Byzantine art for both lay readers and specialists."--Annabel Wharton, Duke University

"The reader is left with a powerful impression of how the Byzantines themselves must have looked upon the art that surrounded them."--David Buckton, The British Museum

"Because Byzantine art portrays a society in change, defining the period is a big undertaking....The book's organization lends to its accessibility; Cormack breaks down the era's political and social developments, revealing their complexity, and time lines and sidebars make the topic more approachable....The list of Internet links to museums with Byzantine art collections will be very useful for students."--Library Journal

About the Author

Robin Cormack is Professor in the History of Art in the University of London, and Deputy Director of the Courtauld Institute of Art. Previous books are Writing in Gold and Painting the Soul (Runciman Award 1998).

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26 of 26 people found the following review helpful.
Exactly what I was looking for
By Florentius
I was in search of an affordable book that featured color plates of the greatest art of the Byzantine world, running the gamut from late Roman times through the fall of Constantinople and Robin Cormack's excellent work more than fit the bill. Indeed, this may be the perfect introductory work on Byzantine art. Magnificently produced, the book is positively littered with high-resolution color and black-and-white photos which show amazing amounts of detail. Particularly stunning are the reproductions of the various mosaics from inside the great church of Hagia Sophia in Istanbul and from San Vitale in Ravenna.

The text of the book is descriptive and analytical. Though somewhat scholarly in content, the writing is clear and the style is brisk. Enough historical background is provided to make the book suitable for a reader with little or no knowledge of Byzantine history. The devotional aspects of Byzantine Art were handled dispassionately with no trace of secular conceit--not always a given these days--and the Iconoclastic controversy was well covered in commendable detail. My only minor quibble was that the endnotes were buried amidst the back-matter and were somewhat difficult to find.

Over all, Cormack's book will make an excellent textbook for courses in Christian and Medieval Art, and a perfect supplemental text for general Byzantine Studies courses. The lovely cover art and stunning interior photos will also make it the kind of book that will be picked up and perused by friends and family if left around the house.

34 of 36 people found the following review helpful.
One of the best introductions to the subject
By S. Koterbay
Having had the chance to listen to Robin Cormack speak, and always having had an interest in Byzantine art, I look forward to reading this. I was not disappointed in the least. As Cormack rightly points out both in his introduction and his bibliographic essay, the art of Byzantium is presented either in an homongenous manner, linking all stylistic periods and developments into a monolithic, unchanging facade, or as a realm only the specialist would be willing to engage in. Cormack deftly navigates through the subject in such a manner that is both introductary as well as substantial enough for those already familiar with the subject. Where controverserial arguments are needed, Cormack enthusiastically dives in; where basic explanation is necessary, Cormack elucidates without dumbing-down; where a style of writing is called for to atmospherically render the majesty of the art, Cormack's writing never fails.
For those of us teaching art history classes, finding a textbook devoted to Byzantine art is especially difficult. We now have the classic that will be more than sufficient for years to come.

15 of 16 people found the following review helpful.
Not Quite as Accessible as the Other Reviewers Found It
By Tracy Cramer Austin, Texas
The back cover says that it is "The handbook of Byzantine art for lay readers and specialists." As a lay reader (though I have read rather extensively about other periods in art and history), I did find it about one level above what I would expect from an introductory text. For example, the author on numerous occasions would go into some detail to explain the dating of a particular object, rather than use that space to describe, for example, its artistic style, or how the object (or others like it) was used or experienced by the people of that period in history. In part for that reason, I did not find this "brisk" reading as one reviewer put it.

The back cover also says that the author overturns the myth that Byzantine art (BA) remained constant. He does indeed go into great detail to show how BA of a given period was the product of a variety of factors, and how a given piece of art was different. But, again for a lay person, what is salient is how so much of BA was in fact fairly consistent in style and subject matter, and for so long, due its spiritual function. For my money, I would have liked to read at least as much about its continuity as about how much it changed.

There was also no map in the book, even though it is about art in many different countries.

And finally, although he organized his chapters chronologically, he roamed pretty freely with the art he was discussing, such that he regularly went into things, at length, that chronologically belonged to a previous or forthcoming chapter.

All that said, I did learn a lot from the book, and would recommend it to anyone with more than a beginner's knowledge of this period in art history. (You can get that beginner's knowledge by first reading Wikipedia's entries on 1) Byzantine art, 2) Icons, and 3) the Byzantine Empire.)

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'Anna Butterworth's new book is designed to provide a businesslike and efficient presentation of all the harmonic and musical styles which are needed for A-level and university entrance ...illustrative material is copious and the exercises equally so.' (Times Educational Supplement). The new edition contains no major changes, but incorporates numerous corrections.

• Sales Rank: #4383666 in Books
• Brand: Oxford University Press
• Published on: 1994-09-15
• Original language: English
• Number of items: 1
• Dimensions: 9.61" h x .35" w x 7.36" l, 2.60 pounds
• Binding: Sheet music
• 112 pages

Review
Well thought out ... succeeds admirably. Times Educational Supplement

About the Author
Anna Butterworth studied at the Guildhall School of Music & Drama and at Nottingham University. In 1968 she became Lecturer in Music at what is now Napier University in Edinburgh. As Senior Lecturer inthe School of Music she is Head of Academic Studies and responsible for much of the organization of and teaching on the BMus degree course. She is also well-known as a teacher, examiner, adjudicator and lecturer in the UK and abroad.

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• Sales Rank: #13832342 in Books
• Published on: 1986-12-18
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 1.25" w x 6.38" l,
• Binding: Hardcover
• 457 pages

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# Download PDF Basic English Usage, by Michael Swan

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Containing 370 short entries, arranged alphabetically, this guide explains the problem points of grammar and vocabulary. It includes many examples of correct usage and common mistakes, along with descriptions of formal and informal language. A full index and cross-references between entries help the students to find information easily.

• Sales Rank: #459395 in Books
• Published on: 1986-02-01
• Original language: English
• Number of items: 1
• Dimensions: 8.40" h x .60" w x 5.40" l, .79 pounds
• Binding: Paperback
• 288 pages

About the Author
Michael Swan is a writer specializing in English language teaching and reference materials. His interests include pedagogic grammar, mother-tongue influence in second language acquisition, and the relationship between applied linguistic theory and classroom language-teaching practice, and he has published a number of articles on these topics. Michael has had extensive experience with adult learners and has worked with teachers in many countries. He is a Visiting Professor at St Mary's College, University of Surrey.

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14 of 15 people found the following review helpful.
Good for reference
By Justo S.
Not only for beginners, but also for intermediate level students. Please take into account that this book is "a shortened and simplified version" of Practical English Usage. If you want a book to carry for studying in the bus, BSE is good, but for having it in your desk, PSE is better.

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Did you know that Frank Sinatra was nearly considered for the original production of Fiddler on the Roof? Or that Jerome Robbins never choreographed the famous "Dance at the Gym" in West Side Story? Or that Lin-Manuel Miranda called out an audience member on Twitter for texting during a performance of Hamilton (the perpetrator was Madonna)? In Show and Tell: The New Book of Broadway Anecdotes, Broadway aficionado-in-chief Ken Bloom takes us on a spirited spin through some of the most intriguing factoids in show business, offering up an unconventional history of the theatre in all its idiosyncratic glory. From the cantankerous retorts of George Abbott to the literally show-stopping antics of Katherine Hepburn, you'll learn about the adventures and star turns of some of the Broadway's biggest personalities, and discover little-known tidbits about beloved plays and musicals from The Black Crook to Beautiful.

• Sales Rank: #105063 in Books
• Published on: 2016-10-03
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x .94" w x 6.14" l, .0 pounds
• Binding: Paperback
• 352 pages

Review

"Ken Bloom's new book is a thoroughly delightful tribute to what makes the theatre great -- the passion, creativity, craziness, and sadness, too. I loved it!"--Charles Strouse

"Opening Ken Bloom's book is like popping a cork of vintage champagne where every bubble bursts with delicious anecdotes from Broadway's best! I can't think of a better cocktail party!"--Lee Roy Reams

"Ken Bloom hears and knows everything. Inside this tome you will find some of the most amazing nuggets of fascinating factoids, ridiculous rumors and classic Broadway lore."--Adrian Bryan-Brown, Broadway press agent

"Can a book make you laugh and cry at the same time? Well, Ken Bloom's newest book, Show and Tell, had me on an emotional seesaw. I thought of all the wonderful people I worked with and the crazy things that happened to us. That's the great thing about live theatre, and this book reminded me how lucky I am to be part of it."--Penny Fuller

"Ken Bloom knows more about me than my husband. Oh God! I've told him EVERYTHING! And it's all true!"--Anita Gillette

"[A]n amusing look at the business of show."--Library Journal

About the Author

Ken Bloom is the author of Broadway Musicals: The 101 Greatest Shows of All Time and Broadway: An Encyclopedia. He has directed and produced shows at Town Hall, the Brooklyn Academy of Music, and other venues. Bloom is the founder of the website InsideSongs.com.

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• Sales Rank: #2022955 in Books
• Published on: 2001-11-19
• Original language: English
• Number of items: 1
• Dimensions: 4.90" h x 1.30" w x 7.50" l,
• Binding: Paperback
• 480 pages

About the Author
James Knowles is at University of Stirling.

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• Sales Rank: #4947478 in Books
• Published on: 1974-10-31
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 756 pages

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0 of 0 people found the following review helpful.
MUST HAVE SCIENCE BOOK
By C. Greene
definitive textbook on geomorphology. will always be the final word on this science. purchsed as a gift for intelligent cousin. he loves it.

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